These phase shifts seem to create a space between the speaker and the guitar. This also explains why the POD tracks never seem to be quite at the front of the speaker in the way that a mic'd cab can do when close mic'd. Sansamps dont do this, and I think its one of the reasons why the sansamp seems to consistantly make it's way onto records.on bass every day, but also on guitars and drums and all sorts of other things. I dont know how they work but if you try, you'll find that you can never make them 'go in' with a DI or a mic'd amp, or a second artificial reamp.they just go out of phase. The Line6 stuff and indeed some other speaker simulators like the Motherload II (which is amazing btw) rely on phase shifts somewhere in the speaker simulator section. But I can honestly say that the POD doesn't even come close to a decent amp properly mic'd. I'm not a POD hater.I'm not an amp sim hater.I've got a POD, and a sansamp.
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